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He has a beautiful wife (Marina Foïs) and young children he adores. Early on, The Big Picture plays like The Fall and Rise of Reginald Perrin as if written by Patricia Highsmith.
Paul wants to disappear; to assume a new identity and live creatively.
At times, we're left scratching our heads at what's motivating him or the film-makers.
Nonetheless, Duris plays Paul with such urgency and soulfulness that we follow him on his strange journey, however random its turns become.
There are a surprising number of French speakers keen to draw him back into a world not so different from the one he just left behind.
A hard-drinking newspaper editor (Niels Arestrup, who played the patriarch in The Prophet) champions his photography.
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When Hollywood adapts European stories, it smooths out their rougher edges.
They have an immediate trust in him because he is unobtrusive and seems to share their concerns.
The director Lartigau and his producer Pierre-Ange Le Pogam (who secured the book rights, developed it over many years and even appears as a dinner party guest early in the movie) are clearly caught on the horns of a dilemma.